Friday

Into Empty Space

Joy: mixed media on rice paper, mounted on canvas. 15 by 12 inches.

Growing up in Taiwan, I was deeply influenced by traditional Chinese brush painting and calligraphy. I began to experiment with materials that partly characterize modern Western painting after I moved to New York City. I now utilize mostly rice paper and silk fabric. The absorbent and textural qualities of these materials differ from those of canvas. When further into the process, I mount the work on substrates more common to Western painting.

My artwork includes painting and calligraphy. When executing the brush strokes and marks, I am particularly mindful and aware of the spaces in between. The empty space becomes a crucial component of the painting itself.

The Heart of Compassion: sumi ink on rice paper, mounted on paper. 12 by 15 inches.

Chinese is mainly a pictorial language. As an artist with deep training in Chinese calligraphy, painting, and literature, the sounds, forms, and layouts of Chinese symbols have always amazed me. Each symbol has a vibrant life. The classical Chinese expression that “calligraphy and painting are from the same origin,” indicates that there is an intimate relationship between these two expressive forms. For example, the Chinese character “heart” is literally a drawing of the shape of heart. “Sun” and “moon” are depicted as they appear in nature. “Water” and “fire” were shaped to express their respective qualities. The beautiful art form is alive with the space and energy of the brushstrokes, imbued with the spirit of the writer.

I use the materials to reflect the feelings and perceptions I have experienced in life. The impressions that come through relating to nature, people, and the essence of being – the ever changing, flowing energy in the world of the fleeting moments. This is nowness.

Iridescent Bubble: mixed media on rice paper, mounted on paper. 22 by 15 inches.

Chaos is Good News: mixed media on rice paper, mounted on canvas. 26 by 30 inches.

Yeachin Tsai was born in Taipei, Taiwan. She is an artist, writer, Chinese interpreter/translator, and Shambhala Buddhist. She has translated a few Shambhala Buddhism and Zen books into the Chinese language, including the translation of the Sakyong’s “Ruling Your World”, “Running with the Mind of Meditation”, and his newest book “The Shambhala Principle” (in process). She edited the Chinese edition of the Sakyong Mipham Rinpoche’s “Turning the Mind into an Ally”, Chogyam Trungpa Rinpoche’s “Shambhala: Sacred Path of the Warrior”, “Cutting Through Spiritual Materialism”, Lady Diana J. Mukop’s “Dragon Thunder – My life with Chogyam Trungpa”, and “Blazing Splendor: The Memoirs of Tulku Urgyen Rinpoche.” Yeachin is also the chief editor of “The Enlightened World of Shambhala,” the Chinese Newsletter online blog for Chinese readers; and “Everyday Ink,” an online artwork showcase blog with images, prose, and poetry. She lives and works in New York State with her beloved husband Jeff Wigman.