All entries filed under this archive
Elemental Expression with Colin Tracy – HIGHLIGHT
An excerpt from the Touching the Earth Collective September Newsletter Every month, we offer a space for one of the Collective’s members or friends to share their work, art, or passion… Working with a camera or paintbrush are ways I see beyond ‘me’… My parents were both keen photographers, gardeners ... continuePosted October 3, 2023 by Jillian_Johnson
“Art Happens” so Let’s Share It Here – HIGHLIGHT
Art happens anytime, anywhere, through spontaneity and deliberation alike. It can be made from anything. It can hold and convey our deepest pains and greatest joys. Whatever it is, it’s communication. Therefore, this new Shambhala Times column, “Art Happens” is devoted to sharing our art. Right now, ... continuePosted March 17, 2019 by Jennifer Holder
An Amateur’s Experience of Thangka Painting
In 1976 I was very fortunate to begin my study of traditional Tibetan thangka painting with the Rongae family at Naropa University. continuePosted November 29, 2018 by David_Brown
Without Beginning or End, Part 3 – HIGHLIGHT
A multi-part series on the trans-temporal art of Yeachin Tsai by Robert R. Shane The Heart Sutra, 2016, sumi ink on Chinese rice paper, 18×30 in V. The Time of Compassion This profound interconnection of all things is expressed in the Buddhist notion of dependent origination (pratīyasamutpāda). This thesis that ... continuePosted July 30, 2017 by CGH
Without Beginning or End, Part 2 – HIGHLIGHT
A multi-part series on the trans-temporal art of Yeachin Tsai by Robert R. Shane III. Kinesis Hooked, 2017, acrylic on paper, 26×14 in Tsai’s lines—whether circular or straight—move. While literally static on the paper, they contain within them the energy of the artist’s gesture as they endlessly redraw themselves before ... continuePosted July 28, 2017 by CGH
Without Beginning or End, Part 1 – HIGHLIGHT
A multi-part series on the trans-temporal work of Shambhalian and artist Yeachin Tsai by Robert R. Shane The Contentment of Mr. Orange, 2015, acrylic on paper mounted on canvas, 14×14 in “The circle…is the synthesis of the greatest oppositions. …it points most clearly to the fourth dimension.” (1) —Vassily Kandinsky I. ... continuePosted July 26, 2017 by CGH
Listening in Color – HIGHLIGHT
COLUMN: Celebrating the Arts article and painting by Christine Labich, Western Massachusetts The inspiration arrived on a late afternoon in October. The New England hardwoods were blazing against a blue sky, and I was standing on the muddy bank of a small brook. Decaying leaves pushed up against ... continuePosted August 23, 2014 by
A Painting’s Progression – HIGHLIGHT
paintings and article by Christine Labich Pioneer Valley Shambhala Center I’ve noticed lately that painting is a lot like moving forward in life. Inspiration, action, communication, and letting go seem to have their place. In the case of this painting, the inspiration came from a particular field that ... continuePosted March 19, 2013 by
How Good the World! – HIGHLIGHT
The Road – in progresspaintings offered by Christine Labich, of the Pioneer Valley Shambhala Center Christine Labich has been gazing at, studying, and tending to the natural world for her lifetime, beginning with her childhood on a pioneering organic farm in New Hampshire. She studied ecology and ... continuePosted August 11, 2012 by
Windhorse in Paint – HIGHLIGHT
THE GIANT “Le colosse” acrylic on paper (45″X76″)paintings by Marjolaine Robert, www.marjolainerobert.com Here are four photos of my last paintings. The exhibit is called CHEVAL DU VENT (Windhorse) and I have 21 of “my horses” for that exhibit. With this exhibit, I present the principle of windhorse ... continuePosted August 5, 2012 by
Tasting the Salty Air – HIGHLIGHT
Provincetown Dunes Sunrisearticle and paintings by Amy Wynne-Derry Nature has always been my greatest teacher. Growing up on Outer Cape Cod, in Massachusetts shaped my perception of how the world visually and temporally evolves. I spent hours as a child walking Ballston Beach in Truro, a feverish beachcomber, ... continuePosted July 29, 2012 by
The Sacred Gift: Tradition and Modernity in the Spiritual Art of Nepal – HIGHLIGHT
With great enthusiasm, the Berkeley Shambhala Center is hosting an exhibition of contemporary paintings. You might remember our exhibit, The Divine Feminine in the spring of 2007. The curator, Siddhartha V. Shah, is back along with Barbara Cook bringing still finer, museum-quality work in a major ... continuePosted April 18, 2011 by