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Lhadrima: Part Four of a Painter’s Journey – HIGHLIGHT
A Western Woman’s Journey as Painter of the Lha: The Noble Conquerors. Click here for PART THREE in the Lhadrima series. By Cynthia Moku Looking back once again to 1974 when I watched Glen Eddy demonstrate the technique of brush-line drawing, I saw that within this ... continuePosted March 1, 2010 by
Lhadrima: Part Three of a Painter’s Journey – HIGHLIGHT
A Western Woman’s Journey as Painter of the Lha: The Noble Conquerors. Click here for PART TWO in the Lhadrima series. By Cynthia Moku Painting the images of the buddhas and the bodhisattvas can become a skillful method when coupled with the path of ... continuePosted February 28, 2010 by
Lhadrima: Part Two of a Painter’s Journey – HIGHLIGHT
A Western Woman’s Journey as Painter of the Lha: The Noble Conquerors. Click here for PART ONE in the Lhadrima series By Cynthia Moku Drawings and preliminary sketches of the buddhas, bodhisattvas, yidams, protectors and historical emanations form a large part of my process in painting a ... continuePosted February 27, 2010 by
Lhadrima: A Painter’s Journey – HIGHLIGHT
A Western Woman’s Journey as Painter of the Lha: The Noble Conquerors. By Cynthia Moku It was 1969 in San Francisco. I was a student taking classes at the San Francisco Art Institute on Russian Hill and the San Francisco Academy of Art on Sutter Street ... continuePosted February 26, 2010 by
An Amateur’s Experience of Thangka Painting
In 1976 I was very fortunate to begin my study of traditional Tibetan thangka painting with the Rongae family at Naropa University. continuePosted February 14, 2009 by David_Brown







