Sunday
“Art Happens” so Let’s Share It Here
Art happens anytime, anywhere, through spontaneity and deliberation alike. It can be made from anything. It can hold and convey our deepest pains and greatest joys. Whatever it is, it’s communication. Therefore, this new Shambhala Times column, “Art Happens” is devoted to sharing our art.
Right now, in this time and place, we could use some communication that is beyond concept. That is as unfathomable to its maker as its viewer. So let’s gather the artists, painters, crafters, wordsmiths, photographers, and everyone who dares to place a dot in our cosmic canvas for others to witness.
We can support photographs of visual art, digital files, links, and announcements for where to see art in person. All mediums and forms that this website can practically portray are welcome. Everything received that is free from hate, violence, or willful harm will be published, and it may or may not be featured on the front page. Comments will be open but moderated to protect the heart of art, which needs to be given the safety to be raw and vulnerable; to go there, where the mind cannot tread.
The only requirement is that you submit an artist’s statement with your art. Whether you want to write about materials, process, symbolism, theory, practice principles, awakening moments you experienced while making the art, or even breakdowns that shook you to your core, share it with the community in this column.
Submissions can be emailed to Jennifer Holder at [email protected].
Jennifer Holder was a founding editor of the Shambhala Times and served as editor-in-chief, reporter, and event blogger until 2012. She received a writing degree from Naropa University and immediately launched a whole-hearted, all-in career in book publishing. After editorial stints in Boulder, Vancouver, London, Dallas, and Manhattan, she founded Full Bloom Publications and writes, edits, advises, coaches, and publishes galore (averaging 28 book projects a year). Jennifer lives in Fulton, Missouri with furry sangha members who purr during meditation and sometimes eat shrine offerings.
Entries filed under Arts and Poetry
Reopening Poetry Space – HIGHLIGHT
Noble Sangha— After much heart searching, we have decided to reopen the Poetry Space column on the Shambhala Times. This is not a decision we take lightly. We are all broken hearted. We are all feeling lost as to how to “simply be” at this point. We’ve ... continuePosted March 3, 2019 by
Father as Ancestor – HIGHLIGHT
In this reposted article from 2011, Bill Scheffel reflects on both the passing of his father and the Shambhala teachings of Chogyam Trungpa (whom Bill refers to as “Lord Mukpo”, his family name and the name he often used when teaching Shambhala Training). This essay and collection ... continuePosted December 6, 2018 by alexandra_kalinine
An Amateur’s Experience of Thangka Painting
In 1976 I was very fortunate to begin my study of traditional Tibetan thangka painting with the Rongae family at Naropa University. continuePosted November 29, 2018 by David_Brown
Monkey at the Movies – HIGHLIGHT
From the column Shambhala at the Movies, by Angela Pressburger In honour of the holiday season — the time for purchasing Big Box Sets as gifts — I thought I’d offer something I frequently get requests for more information on: Monkey / The Journey to the West. ... continuePosted November 13, 2018 by alexandra_kalinine
On Torma Offering – HIGHLIGHT
by Phil Karl While practicing in the three-year retreat at Gampo Abbey several years ago I learned to make tormas. I’d been making tormas for a number of years, but finally got comprehensive training, and plenty of practice in that rather long retreat. It may be of interest ... continuePosted October 30, 2018 by Philip Karl
The Third Mind Exhibition – HIGHLIGHT
New River – watercolor series 1981- by John Cage Ellen Pearlman, New York -based writer and editor of the Brooklyn Rail who lives part time in China, writes about The Third Mind: American Artists Contemplate Asia, 1860–1989 at the Guggenheim Museum in New York responding to the influence of eastern thought ... continuePosted October 16, 2018 by Ellen Pearlman
Before and After: Portraits from Dathun – HIGHLIGHT
by Peter Seidler This series of photos, titled “Before and After,” comes from a larger project called “Contemplatives,” a visual exploration of the physiological qualities of meditation practice. I set up the “Before and After” project to explore the observable effects on practitioners after long periods of ... continuePosted October 7, 2018 by alexandra_kalinine
What is the Heart of Dharma Art? – HIGHLIGHT
calligraphy by Chogyam Trungpa Rinpoche, Jack Niland and unknown artist Celebrating Shambhala and the Arts story and artwork by Jack Niland What is the Heart of Dharma Art? It is MANIFESTING the world…your world, my world, our world…an enlightened world. Why? Because this is what the universe does. It ... continuePosted October 4, 2018 by alexandra_kalinine
More Buried Rivers – HIGHLIGHT
A second excerpt from the book subtitled A Spiritual Journey into the Holocaust by Ellen Korman Mains It would be dark when I arrived in Zamość, a place I’d never been and where I knew no one. I didn’t even have a reservation for the night. It wasn’t confidence ... continuePosted September 26, 2018 by CGH
Buried Rivers – HIGHLIGHT
A Spiritual Journey into the Holocaust; excerpt from a book by Ellen Korman Mains The center was called Tail of the Tiger then. When I returned from my second visit, my mother went to the door of my parents’ bedroom and called my father out, like a foot-soldier ... continuePosted September 24, 2018 by CGH
Poetry Space – HIGHLIGHT
Reflections from the Coordinator by Jeff Fink In 2013, I was approached by the then-editor of the Times, Sarah Lipton, about possibly organizing a poetry column for the Shambhala Times. This grew out of an Enlightened Society Assembly conversation, so how could I say no? With the help ... continuePosted September 2, 2018 by
Poetry Space, Summer 2018 – HIGHLIGHT
Poetry Space – Summer 2018 Sometimes, it seems as if the world is literally and figuratively on fire, and this is certainly what it feels like in the kingdom of Shambhala right now. Also, we’re very late in responding to our most recent set of new submissions, ... continuePosted August 21, 2018 by
The Crystal Sands – HIGHLIGHT
A short story about power dynamics and consensual relationship by Anne-Marie Keppel There once were two humans sitting on a beach. Beautiful, glistening, crystal-like sand covered the beach like a blanket of starry wonder. The sand stretched across the entire expanse surrounding them, and at the edges mingled ... continuePosted July 12, 2018 by CGH
I’ve Gotten as Far as Fearlessness – HIGHLIGHT
The Tiger says: “You are good enough to help.” The Lion says: “You know you want to help.” The Garuda says: “It’s time. Let’s do this.” I can’t wait to hear what the Dragon says. But for now, there’s work to do. a bit of verse by Alan Augustson continuePosted June 2, 2018 by
Why art, why now? – HIGHLIGHT
The third in a three-part series about art, creativity, and the creative process by Katey Schultz I want to wrap up this three-part series helping writers and creative types “come at” their imaginations and their creative practices in new ways, by touching on a big topic. I began ... continuePosted May 3, 2018 by
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